Monday, April 20, 2015

IF THIS POST IS LATE IT'S BECAUSE I'M STILL ON BALI TIME

You'll have to forgive me if I seem distracted: two weeks ago I was standing at the bottom of a forty-foot gorge, having clambered a hundred feet upstream to stand at the base of a fifty-foot high waterfall, halfway up a mountain in the middle of an Indonesian island.

By which I mean, I was in Bali.

Let's be honest: when Luscious organised the trip with her brother and sister-in-law, I was on the 'un' side of enthused. Nothing I'd heard about the island made me want to go there-- everything pointed to a filthy third-world shopping mall fit only for drunken AFL end of season piss-ups and surfer dope-a-thons with bonus dysentery and bombings to deal with assuming you didn't get picked up for not noticing the baggage handlers' dope stash in your carry-on.

Turns out that's just Kuta. And I'm happy to admit just how wrong my preconceptions were, because we found a whole lot to love.

For a start, we managed to avoid the plastic beer-haus atmosphere of Kuta by staying at a villa just outside of Seminyak, rural enough that there were multitudinous rice paddies dotted in between the buildings. As our driver explained, the Balinese grow three types of rice for different purposes-- white for eating, red for ritual meals, and black for religious festivities-- so a significant percentage of the rural environment is held over for growing the crop, something we saw in spades on our next-to-final day when we took a trip up-country to the Old Balinese Kingdom capital of Pejeng to view the National Archaeological Museum.

Before that though, there was a stunning range of experiences: the traditional Aussie-in-Bali market shopping, including a visit to a series of stalls run by a family who lived side by side with their stalls inside an old unused temple; a roadside fish pedicure, with Luscious, Master 10 and I sitting on a bench with our feet inside a whacking great fish tank having our peds nibbled by a swarm of teensy tiny catfish; a hand-in-hand walk along a shell beach with Luscious (I'm a softie. Sue me); the trip up-country through the artist's enclaves at Ubud to view the Museum; a day spent screaming and laughing at the utterly insane Waterbom Waterpark; and to wrap it all up we spent the final night of our stay on a night safari at the Bali Safari and Marine Park, where tigers with heads wider then my shoulders climbed the caged truck in which we stood to feed less than 6 inches from my face.

By the time we stumbled, exhausted and sunburned, onto the plane home, the Battchilder had already started a list of things we'll be doing when we return. I've got one of my own.


The view from the entrance to our villa. Staying away from the plastic FcknOZYEAH! facade of Kuta was the best thing we could have done. It gave us a chance to explore some genuine-- or at least, genuine-looking-- culture without getting caught up in the ugly shopping mall/beer hall environment that was my impression of Bali, and which finds its full expression in Kuta. Lyn's brother and sister-in-law found the villas, and they were an inspired choice: close enough to town to provide access to cafes and shops, but far enough away that we could experience a side of Bali closer to real than I expected.



The common kitchen area inside the villa, just around from the pool and air-conditioned, semi-detached bedrooms. It was hell, I tells 'ee, hell!




Breakfast, round one. Every morning, a fresh platter of fruit to begin the day. It sounds like a simple thing, but we were so enamoured of it that we've brought the habit home with us, and it gives us a huge life each morning. Of course, the $6-each-in-Australia dragonfruit have gone by the wayside, dammit...




The ruins of a beach side temple, ten minutes walk along from the ultra-Western hotel restaurant we ate at one day. I've a fascination for abandoned, ruined buildings such as this. There's such a forlorn beauty about them, such an air of quiet despair. It speaks to something inside me. Also, I totally nailed the photo, which is a rarity in itself. 



Master 10 and Miss 13 go the full Aussie-in-Bali native route: hair braiding and pedicures all round. The girls were particularly taken with the idea that a boy would get the full set, but that's what Master 10 does-- break down perceptions and bring delight. 



Another view of the hair braiding, included purely because it amuses me to see the girls having to stand on the couch to reach the top of Miss 13's head :)



Anyone looking at my hard drive would think I was obsessed with Balinese traffic. Because I was. I spent shot after shot trying to get the perfect image of the slow-motion insanity. This comes close. More often than not, a two-lane road would host three to four vehicles on each side, plus a complete mosquito fleet of a dozen or so scooters: all moving in harmony, all in synchronised motion, no accidents, everyone just flowing along at 30 kilometres an hour ignoring any sense of road rules or logic. Balinese traffic is the perfect democracy. Decided by, educated by, and policed by the people themselves. It's balletic, and I loved it. Also, check out the statue: can they do a fucking roundabout or what?



Fish pedicure. Tiny little catfish nibbling away at your feet for half an hour, while all you can do is sit on a bench with your feet dangling in the water and watch the world go by. You simply must try it. 



Master 10 gets his first nibble. This is what the trip was all about for me: that sense of joy, and discovery, in the arms of my family. 



Also: my wife's an utter babe. A babe at an horrendous, FcknOZ bar that specialised in misogyny, sexual crassness, and a view of Australians that does us no credit at all. But it was good for a laugh, until we realised our kids can read the 'specials' board as well as we can, and it became time to get out and shop.

But the point is: Wife. Babe. Mine.



We spent one day hitting the market trail, because we wanted to do the traditional Oz-in-Bali shopping thing. This was my highlight: a set of stalls inside the owner's house inside an abandoned temple. Magnificent buildings piled on top of each other so that I lost all interest in cheap wallets and board shorts and simply wandered from corner to corner marvelling at the statues and the beauty of the architecture. It was Bali in a nutshell: once you picked away at whatever thin veneer of tourist accommodation faced you, you found unlimited beauty and tradition. That was the Bali I wanted, and I found it in abundance.



Another view. This is someone's house. Their stall inside their house



An hour from Seminyak, past Ubud, we discovered the village of Pejeng, which just happened to be the capital of the Old Balinese Kingdom, and which is now the site of the National Archaeology museum. It's not very big, and there are few exhibits beyond a collection of Chinese, British and Indian crockery that hints at trade links with mainland Asia and Europe going back to the 9th Century, but it's worth it for the architecture-- again-- and these magnificent stone sarcophagi displayed in the gardens. 



Faced with such history, what's a fat man to do but strike a Man of Destiny pose and hope his shorts don't fall off?



On our last night we visited the Safari and Marine Park, and took in a night safari. On a night filled with highlights, having a tiger with a head wider then my shoulders eating a hunk of meat less than  inches directly above my face will go down as unforgettable. Damn the wobbling truck: I have no good photos. This is the best. There's something awe-inspiring about being so close to so much raw, natural power. How anyone could want to hunt animals is beyond me. We cannot allow such beauty to leave the world.



Balinese dancers play with fire in a dance show that incorporated stilt-animals, shield dancing sword fights, and a magnificent, booming drum performance. It was a show my children will remember their whole lives, and was a perfect way to finish our time on the island.



And here they are: the falls I've failed to get out of my system. halfway up a mountain in the centre of the island, at the bottom of a forty foot ravine, with a hundred feet of stream and rock to traverse to stand at their base. Unspoiled (or, at least, as unspoiled as possible) natural beauty; the very definition of 'far from the madding crowd. Luscious, Master 10 and I climbed down, and Master 10 and I made our way to the foot of the falls, where we simply stood and marvelled at the sheer wonder of it all. For a moment, I recovered a sense of peace.



If there is one picture I had to point to in order to define our time in Bali, it is this one. Master 10, all four feet nothing of him, at the base of a fifty foot waterfall deep in the heart of the island, far from the traffic and the markets and the noise and the people. A tin adventurer stunned into a moment's immobility by a sense of wonder at the natural world around him, dwarfed by all the physical aspects of his environment but with his mind and soul expanding with every moment. 

We left Bali with an overwhelming urge to return. There is so much we haven't seen, such a deep culture we've barely scratched. We came armed with half a dozen Indonesian phrases, hoping they would see us through, only to discover the Balinese language itself and the delight shown by the people when we spoke the two or three phrases we picked up-- and what does it say about our culture of tourism that native peoples should be delighted when we learn just a few simple words in their language? 







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